If an external recorder is connected via HDMI, it’s also possible to record C4K 4:2:2 10-bit 60p video externally while simultaneously recording in 4:2:0 to the card in the camera. This combination enables the GH5 II to capture 10-bit 4:2:0 C4K (4096 x 2160) video at up to 60fps and 200Mbps or 10-bit 4:2:2 C4K at up to 30fps and 400Mbps. It’s also coupled with the Venus Engine 10 processing engine that’s in the Panasonic Lumix S1H – the company’s full-frame video-centric mirrorless camera. Inside the Panasonic GH5 II is the same 20.3Mp sensor as is inside the GH5 but it has new AR (Anti-Reflective) coating that reduces flare and ghosting. Weight: 727g / 1.60 lb with SD card and battery.Maximum stills continuous shooting rate: AFS/MF: 12 frames/sec, AFC: H: 9 frames/sec (with Live View), 6K Photo: 30 frames/sec, 4K Photo: 60 frames/sec, 30 frames/sec.Touchscreen: 3-inch 1.84m-dot Free-angle touchscreen.Viewfinder: 3.68m-dot OLED with 60/120fps refresh rate.Stabilisation: 5-axis Dual IS II giving 6.5EV shutter speed compensation.
#EDITREADY TRANSCODE GH5 FOOTAGE DARKER LICENSE#
Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs.
The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks.
Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.
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